CULVER CITY, Calif.—Sony Pictures Entertainment (SPE) has announced that Pixomondo (PXO) will assume operation and management of SPE’s first state-of-the-art LED virtual production stage. Built by ...

It’s fitting that the forward-thinking Francis Ford Coppola finally turned to virtual production on his $120 million futuristic passion project, “Megalopolis,” with its reliance on experimental ...

Thanks to Taika Waititi and “Thor: Love and Thunder,” ILM’s game-changing StageCraft LED volume is now a part of the Marvel Cinematic Universe’s technological arsenal. Getting its hands on the latest ...

CULVER CITY, Calif.—Amazon Studios has officially opened Stage 15, its new virtual production stage, and announced the formation of the new Amazon Studios Virtual Production (ASVP) department. The ...

The new LED volume with Stage 6 follows the partners building separate stages in Toronto and Vancouver. By Etan Vlessing Canada Bureau Chief Visual effects company Pixomondo and Canadian TV and film ...

The LED Volume is derived from the concept of Image-Based Lighting (IBL) invented by Paul Debevec in 1998, which refers to mapping an HDR image onto a photosphere enveloped around a subject to serve ...

Visual entertainment services company DNEG has launched DNEG 360, a new unit which will be operated by real-time production firm Dimension Studio. As part of the launch, DNEG and Dimension have also ...

On November 16, the Atlanta Coordinating Committee (ATLCC) and the DGA Assistant Director Training Program (ADTP) presented the seminar, Adding Volume: A Virtual Production Workshop. Held at the Lux ...

VFX supervisor Jesse Chisholm tells IndieWire about adapting to Coppola's theatricality and poetic realism, which embraced the in-camera sense of wonder in the LED volume.